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Princess Ida

or "Castle Adamant"

First produced at the Opéra Comique on January 5th 1884

 Performances 

Wilton Hall, Bletchley, Milton Keynes, Bucks

20th October to 24th October 1998

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 Synopsis

Act 1

Princess Ida was betrothed as a baby to Prince Hilarion and now that she is twenty-one, she is expected at the court of King Hildebrand. Hilarion is anxiously waiting to see his bride for the first time in twenty years and wonders just how she may have changed. Her father, King Gama, arrives with her three brothers but no Princess. She has gone to rule a wonen's University in Castle Adamant and has rejected the male sex completely. King Hildebrand holds King Gama and his sons hostage until Ida agrees to marry Hilarion.

Act 2

The graduates of Princess Ida's University are seen at their studies. In a quiet corner, however Prince Hilarion, accompanied by two friends, Cyril and Florian, come is search of the Princess and intends to woo her with sweet words and deeds. After climbing the University walls they find some academic robes and are trying them on for size when Princess Ida comes upon the scene. They decide to carry on the pretence but they are cought by one of the tutors, Lady Psyche - Florian's sister. She promptly takes a liking to Cyril and agrees to keep their secret, but they are again found out - this time by Lady Blanche's daughter, Melissa. Melissa, having never seen men before decides that they are much better than she had previously been told and falls in love with Florian. Having watched the men with Melissa and Psyche, Lady Blanche also guesses the secret but she too agrees to remain silent since, with the Princess out of the way, she would rule the University.

Towards luncheon time, all the graduates and staff gather for a picnic. Cyril get rather tipsy and lets the cat out of the bag. Ida is horrified and in shock staggers backwards and unfortunately falls into the castle stream. Hilarion heriocally jumps in and saves her. Rather than being grateful, Ida orders Hilarion and his friends to be bound and taken into custody. Just as they are being led away, King Hildebrand arrives with some of his men to intimidate the Princess into submission. The act ends with Ida defiantly resisting the Kings threats.

Act 3

We see the ladies graduates in a fighting mood, but underneath they are timid and really don't want to fight. Ida decides she will fight Hildebrand and his men by herself since all have deserted her. King Gama arrives, bringing a message from Hildebrand suggesting that Gama's sons should fight Hilarion and his friends, to decide once and for all whether Ida should remain single or should marry Hilarion! She reluctantly agrees and the combatants assemble for the final battle...

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 Dramatis Personae 

King Hildebrand   Alan Myers
Hilarion (Hildebrand's son)   Graham Breeze
Hilarion's friends:    
Cyril
  Steve Corcoran
Florian
  Steve Clarke
King Gama   Alan van Gortel
King Gama's sons:    
Arac
  Fred Mitchell
Guron
  David Jenkins
Scynthius
  Barry Bates
Princess Ida   Kim Bennett
Lady Blanche
(Professor of Abstract Science)
  Hilary Jolliff
Lady Psyche
(Professor of Humanities)
  Cath Bromley
Melissa (Lady Blanche's daughter)   Lynn Homer
Graduates:    
Sacharissa
  Madeline van Gortel
Chloe
  Maren Geffert
Ada
  Lesley Worton
Chorus of Soldiers, Courtiers and Graduates   Catherine Barnett
Trina Beckett
Ian Beckett
Di Dowell
Tony Eyres
Evelyn Fox
Jack Holt
Fred Jewell
Susan Kent
Stephan Kirk
Chrissie Le Franc
Pat Mercer
Jenny Mitchell
Louise van Gortel
Jill White
Kath Whitney
Chris Worton

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 Orchestra 

Leader   Pat Plumstead
Violins   Lesley Newing / Emily Brown
Tony Minards / Amanda Hodges
Viola   Richard Handel
Cello   Sally Horton
Bass   Peter Stevens
Flute   Susan Taylor
Clarinets   Mike James / Helen Hindley
Oboe   Robert Clarke
Horn   Nigel Mainard / Tess May
Trumpet   Michelle Upton
Trombone   Paul Coveney
Percussion   Roger Smith

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 Production Team 

Producer   Pauline Kent
Musical Director   Malcolm Crane
Set Design   Ken Branchette
Lighting Design   Philip Hurrell

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 Thanks to the following for their help 

Stage Manager   Malcolm Boss
Assistant Stage Manager   Sam Martin
Stage Crew   ACME Stage Crew
Set Construction and Painting   Ken Branchette
Barbara Mason
James Mason
Paul Mason
Malcolm Boss
Reg Green
Mike Hurrell
Lyn Quickley
Sam Martin
Costumes   Berenice of Bedford
Wardrobe Mistress and Props   Sue Price
Properties   First Night of Stony Stratford
Prompt   Lesley Gray
Margaret Deverson Smith
First Aid / Cloaks   St John Ambulance
Front of House Manager   Bert Coleman and friends
Box Office   Jean Holt
Advance Box Office   Robin Hinton Brewer
Logo Design   Ken Branchette
Programme Design   Alan van Gortel
Company Photographer   Norman Kent
Rehearsal Accompanist   Helen Rouse

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 Special thanks to: 

Milton Keynes Co-operative Society for Advance Box Office facilities.
Bletchley, Central Milton Keynes Libraries and Milton Keynes Co-operative Society for Displays.
Margaret Burke for Advanced Booking telephone facilities.
James Newby for the hire of the band parts.

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 Background 

Princess Ida is unique amongst all of the G&S operas in several ways.

Gilbert was always drawing from his previous writings for plots - generally the Bab Ballads which he wrote for a magazine called "Fun". For Princess Ida he drew from a play he had written called "The Princess" - a lot of the dialoge is the same in both pieces. Even the play itself was a parody of Alfred Lord Tennyson's long poem of the same name!

A couple of other unique features of Princess Ida is that is is written completely in blank verse and is arranged over three Acts isntead of the usual two. When origianlly written however it was made up of a Prologue and 2 Acts.

All the music however was completely original and is considered to be amongst the best music Sullivan wrote.


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